I Love Second Life

Someone mentioned to me that they were surprised by how much I hate Second Life, so I probably need to put the record straight. I don’t hate Second Life. In fact I love Second Life – above you can see my alter ego Taito Dahlstrom wearing his favourite grey leggings whilst having a great time in his favourite club Kittens.

I think Linden Labs have created an amazing piece of real Science Fiction. The fact that it’s got as big as it has, supporting an incredible virtual currency and giving such a huge amount of freedom to inhabitants is utterly astounding. From an academic and technological point of view it’s simply stunning.

The issues that I have with it are all around the way that it’s being used and abused by outsiders. And they’re the same issues I’d have with First Life stuff. If a big brand wandered into a small rural village and set up a mega-office without understanding the local way of life and the cultural implications of their actions, I’d be pretty pissed off too. But I gues if I was really bothered I’d do something about it in Second Life, just like the vocal activists are. Maybe as a voyeur and occasional dipper-in, I’m no better than a brand who isn’t properly involved either.

A brand going into Second Life feels different to setting up a website. A website has a kind of semi-physical presence, but it feels slightly different. Easier to avoid perhaps. Maybe it’s to do with the fact that a website doesn’t take up any space, I’m not sure how many atoms there are in a website, but I don’t think it’s many. A megamall in Second Life on the other hand feels like it has real volume. It’s been created with bricks and mortar, albeit virtual bricks and mortar. And therefore it feels like it’s made up of stacks of virtual atoms.

I think without realising it, I’ve just demonstrated why Second Life is so interesting. It raises all kinds of questions about the nature and value of virtual stuff. When I’ve talked to people about virtual services in Second Life (for example a virtual lapdance at Kittens) at first they’ve been really dismissive, then when they get their heads around it, they’re totally blown away by the idea.

And I think that’s the crux of it right now. The idea and the concept is so damn infectious and inspiring that creative people get really excited by it. But until you’ve hung around in there for a bit and realised how cumbersome it can be to do ordinary things in there, you don’t really get a feel for it.

Take for example listening to a presentation in Second Life (e.g. this interview with Chris Anderson (YouTube)). If you could take a seat in the hall (I’m very poor at even managing the basics like sitting down). Then manage to face in the right direction. You’d be subjected to reading a text based interview -v-e-r-y- -s-l-o-w-l-y-. And perhaps there is a feeling of presence, but for me, no more so than a live online chat. Currently the experience of this kind of thing is poor, and can be done better elsewhere in the digital space.

Which goes back to a point that I’ve made before, it seems odd to try to slavishly replicate real world ways of doing things, when you’re not constrained by the same set of rules. For example, in real life gravity is sometimes useful, but other times it can be such a chore. In Second Life, it’s up to you!

I’ve no doubt that online worlds like Second Life have got a massive future, I guess the question for me is whether it’s future is as an entertainment environment or an environment for communication and getting things done. Or once the technology’s good enough maybe my issues become null and void.

I love Second Life. And I love that it makes people think about digital and virtual worlds in new and interesting ways.

Yoda’s Freaky Eye

Meet my Yoda Furby. As you can see it’s a quality piece of Star Wars merchandise. If a little bit repetative. I’ve had him for a few years now and he’s been hibernating in a box for the last couple.

I found him the other day and resurrected him using the force (and 4AA batteries).

Only thing is, one of his eyelids has perished and when he’s ‘sleeping’ he has this freaky eye thing going on. I think he might have to go back in the box, he’s scaring me.

Amen to That

This is a long video clip. 18 mins in total. And it might bore you if you’re not a music geek. It’s all about how a 6 second drum loop from the B-Side of a single by The Winston Brothers, released in 1969, has become a cornerstone of modern music.

Even if you’re not a muso I reckon it’s worth watching for a couple of reasons:

  • The style of it is very basic, but it works. The spinning record is strangely mesmerising. And it works alongside the slightly hypnotic drone (in the nicest possible way) of the narrator.
  • There’s some incredibly interesting stuff in there about the point at which a cultural artifact essentially becomes public domain, and copyright becomes irrelevant. We’re reaching a point where loads of things are becoming so appropriated that it’s impossible to unpick them from their surroundings and give credit to the source.

And from a muso’s point of view, it boggles my mind that over the years a single beat, a noise made by one man hitting a drum, has been replicated, multiplied, sliced, re-ordered and rejigged in so many ways. In thousands of clubs all over the world every Saturday night you’ll be able to hear the noise of that man hitting that drum. You may not recognise it, but it’ll be there. Somewhere…

Uh-oh Flashmobbing’s Back

And this time around, thanks to YouTube, you can witness it from multiple angles!

I always thought that flashmobbing was a bit twee and a bit “aren’t we all wacky”, and I still have reservations. But, if I’m being honest, it looks a bit fun too…

Liverpool Street Station Wednesday evening.

Second Life Primer

This video makes Second Life look pretty interesting (although I do sense a bit of hyperbole in there…).

Personally I still can’t get my head into Second Life. Changing my outfit was by far the most interesting bit.

via Big Picture Advertising

YouTube Haters

Youtube
Asi who writes the excellent No Man’s Blog left a comment yesterday about the fact that slating YouTube is very much the in-thing to do right now. And he left me a link or two.

Having read a bit more around the topic it seems to be shaping up into an interesting-ish debate. There seems to be a few camps forming, broadly lovers, doubters and haters. I think I’m a lover / doubter fence-sitter. And here’s why:

I love YouTube because…

  • It’s made online video easy and accessible. No hassle with special software.
  • It’s easy to upload stuff in almost any format.
  • It’s set the bar for quality at an attainable level for most people.
  • Access to amazing things that have been languishing in archives.
  • As far as I’m aware they were one of the champions of portable video (i.e. you can take it and embed it anywhere you like).
  • The community is there (if you want to engage with it), you can almost ignore it if not and just use it to host your clips.
  • It feels like it ‘gets’ its place on the web.

I doubt YouTube because…

  • There’s a lot of complicated rights issues that make my head hurt.
  • Lots of big established companies feel threatened, even if they do deals with many of them, there’ll still be plenty left out in the cold, looking for their payout.
  • Lawyers like making money.

A thought: Assuming that the YouTube community is a big part of its value. How much do YouTube users (viewers and publishers) love YouTube? If it came to a massive legal battle how much would people pay to save it? What’s the perception of value of unlimited (arguably low-grade) video entertainment?

Would people chip-in $5 each, $10 or $50? Or would we hear the plops of millions of video-rats diving into the sea as the good ship YouTube sinks? (And I’m not saying it will, just to be clear…)

Communities didn’t really act in any meaningful way when Napster and Audiogalaxy were shut down a few years ago. But in those cases the legalities were much more obvious. And the communities far more niche, and (from memory) smaller.

I’d quite like to see ‘The Entertainment Industries of the World’ vs ‘The People of YouTube’ as a court case.

Forrester: YouTube is goin’ down

youtube going downA Forrester blog (Devices, Media, And the Future of Everything) has a post from one of their analysts that predicts that copyright will be the downfall of YouTube. He draws parallels with what happened to old-Napster. Certainly an interesting point of view: YouTube is goin’ down

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When good ads go bad…

I like the new advert for 3. The one for free Email and IM on your phone. If you’ve not seen it, here it is:

I was really really disappointed when I opened up my weekly Zoo magazine (it’s a work thing, honest) to see this press version of the ad. Actually I wasn’t disappointed by the advert itself, the press ad is fine. See below:

What made me almost spew was the thing they’d stuck over the top. A postcard. A postcard with stickers on it where you can ‘create your own message’. A bit of a horrible thing in it’s own right. Pointless and fiddly. And just another thing to drop on the newsagent’s floor.

I’m guessing that the Zoo audience is at the younger end of 3’s target. So of course the natural content for this postcard is skateboarding!?! I mean what else could it be? (Apart from breakin’ of course).

Here’s the front:

Here’s the back (the stickers are the words on the left):

Completely at odds with the rest of the creative. And ‘Grind to Email’, what on earth is that about? Next they’ll be asking us to “Ollie down to your local 3 store now”, or “Nosebone over to three.co.uk”.

Looks like someone’s been to the Youth Marketing conference I blogged a while ago ;-)

I don’t really enjoy negative blogging. But sometimes I can’t help myself. Especially when I see something nice get reduced to something horrible.

Trains are cool

Came across this yesterday:

The London to Brighton train ride in 2 mins.

Reminds me of the Star Guitar video for the Chemical Brothers by Michel Gondry. I’m not sure if the music almost sounds similar too, or whether that’s just associations in my brain.

One of my favourite videos of all time. So effortless and simple on the surface, but so damn complex underneath.

Feels like the top one had the music edited for the video, and the bottom one is obviously the other way round.