Sometimes, the Vengaboys played very loud on a car stereo in a town full of drunk blokes really hits the spot. It’s as simple as that.
I love everything about this. Came out in January, but only just discovered it. Late to the party as usual. Amazing track by Marcus Marr. Massive chugging bass. Bizzaro lyrics. Super simple but lovely video.
Last night I was trying to find a particular interactive music video. I tried mailing a couple of people: “You know, the one where there’s a window in the middle, and objects come out of it in other windows, and I think you could buy them or something”.
When you get to the end of the post, you’ll hopefully see that I’m not as stupid as you perhaps think I am right now.
I had a good old dig around to find it, and on my way unearthed a few gems I’d not seen before. Hopefully you haven’t seen all of them…
Rugby by Brightly
Really interesting video that pulls in live image searches from Giphy so you’ll never see the same video twice. It works incredibly well.
Do Not Touch by Kilo
Crowd-sourced-cursors work brilliantly well in this super interesting video for Kilo. Might be by favourite of the lot.
Carry Me by Bombay Bicycle Club
Really lovely interaction in this one. Very simple. But super satisfying. Give it a go.
Then Finally. I found the video I was looking for…
Golden Chains by ALB
Although unfortunately I can’t find an actual live version of the experience anywhere. There’s also a case study that says you were able to buy all the items on eBay. See. It’s pretty much like I described at the top of the post…
This is great.
Last year I blogged about the idea of doing something a bit similar. But this lovely chap took a different (much better and more realistic) approach, and made something that really works. It’s been compared to the awesome Kutiman Thru-You stuff. But it is very different. People have sent these pieces in to be a part of something collaborative. And it puts you in control in a lovely lo-fi way.
There’s this guy called Tim Wright. He’s a lovely chap. He did some planning and writing and things for a game we made a long time ago at Poke. Anyway he’s either become a nutjob or a genius (or maybe he was always both). I’m not sure if I’m qualified to say which right now.
From 30th June to 25th August, I’m following a route across Scotland from the south western tip of Mull to the outskirts of Edinburgh, as charted in Chapters 14–27 of Robert Louis Stevenson’s ‘Kidnapped’.
That’s quite a bit of walking he’s doing. And he’s documenting the whole thing on a blog: http://www.timwright.typepad.com/kidmapper. And he’s podcasting and Tweeting and all that jazz too.
And he’s sticking up his photos on Flickr where they get combined with a passage from the book that’s relevant, like: “There was in this part of the isle a little hut of a house like a pig’s hut, where fishers used to sleep when they came there upon their business”:
And he’s reading out passages from the book in relevant locations and putting the videos online:
And bravely he’s offering up:
Perhaps there’s something you’d like me to do or think about whilst I’m walking. Perhaps you’d like me to visit specific sites and film them for you. Or better still, perhaps you’d like to come out here and join me for a walk, add your own responses to being on the Kidnapped Trail and have an adventure of your very own.
And like he says, he can be found on most social services under the name ‘kidmapper’.
Now the big problem I have with this kind of thing is that it makes our job as internet slags really hard.
How on earth are we supposed to do things for paying clients that compete with this? He’s not thinking about dayrates. Or production costs. Or about delivering a specific message to a given set of look and feel guidelines. He’s just out there doing something because he really wants to. Because he’s got this mission that he wants to do. Just because.
And it’s charming. And interesting. And funny. And real. And a touch shambolic. And a little bit odd. And I want to follow him. Because I don’t know what’s coming next. And I know that he doesn’t either. Oh in that incredibly honest way he’s starting very much from zero – he currently has only 19 followers on Twitter.
Visit his blog now: http://www.timwright.typepad.com/kidmapper
By the way, he doesn’t even have an Amazon merchant link from the book on his site. THAT’S HOW PURE HE IS!
Last night I watched Wall-e for the first time. And it was good.
Then today I was pulling together a mix. I’ve included the Apparat Mix of Moby’s Pale Horses which I love dearly. I tweeted that Apparat was a genius. Then @tbuesing tweeted that I might like this video for an Apparat track. And I did like it:
And it made me think of Wall-e…
He also sent a link to 39 Forks which is a collection of his art projects. There’s some really nice stuff in there including the $200 car project where he bought a car for $200 and drove it till it broke. Here’s the road movie:
And perhaps my favourite thing of all is Web Street
Based on the insight that more street art is seen on the web than on actually on the street, he’s set up a blog of digitally manipulated street art. Things that have never actually existed on the street. But look like they might have done. Check it out.
Things like Banksy for Livesavers.
I’m always impressed by people who just get stuff done. They make me feel inadequate. In a good way. Have a dig around and find some things.
Nice work Scott.
I just love the mini-cults that you find on YouTube sometimes. This is my favourite find for a while. Mobile Disc Jockey’s setting up their rigs time-lapse style…
And (love his YouTube overlay at the start – we should all use that technique – it’s neat).
And (nice ‘work it to the bone’ track).
And (nice use of Daft Punk, ‘Harder, Better, Faster’ – the ‘work it’ vocal continues the work vibe) .
And, see what happens when you use a pre-assembled lighting rig? You get slated in the comments. Keep it real guys…
And perhaps my personal favourite:
Just look at the stills from all the videos above. They look so beautiful when they’re all together as a set. Lovely.
I was lucky enough to speak at the Boards Magazine Creative Workshop in Amsterdam last week. It was really good event and I genuinely enjoyed all the other speakers. There were a bunch of highlights. From seeing the amazing preview of the Killzone 2 Interactive Ad through to the incredibly inspiring Dr Bob Deutsch talking about primates and brands.
But there was one thing that really stuck in my mind as being totally brilliant. And it was some work that Erik Kessels showed off amongst a selection of their bonkersness He played some extracts from a series of short films called Kijkers. They are a bunch of 3 minute films that get kids experiencing TV in different ways.
I’ve searched for them online (so that I could get hold of the DVD) – and the description that I found of them online was: 57 korte kunstfilms voor kinderen vanaf 6 jaar. Which, given my lame grasp of languages, translates as something along the lines of ’57 short art films for children under the age of 6′.
I think that this Google translated text from here describes them better than I could:
Almost everyone can see, but not everyone can see. Look, you learn. Just as you must learn to eat oysters or olives. Norbert ter Hall en Erik Kessels made for Villa Achterwerk the program Kijkers: short art films that show how different things can look. The two seasons of Kijkers are now collected on this DVD. 57 films made by artists, filmmakers, directors and a sheep. About toes, clouds, beards, butterflies, a stop sign and much more. Kijkers has a gift for your eyes. See for yourself.
I could hardly find any of them online. But here’s a couple of examples:
These aren’t as good as the best ones Erik showed. There was a clip of a rubber duck in a foamy bath bobbing up and down under a running tap. And some handy cam footage of buildings that look like faces (but with someone making the noises that the faces would make if they were human). Oh bollocks, they’re almost impossible to describe and make sound good.
Anyway they all play with notions of perception in really interesting and charming ways. And I want to see them all.