SoundCloud is a pretty nifty music upload / sharing / management tool. I’ve taken my last few mixes and stuck them up there. I think I might shift over my podcast arrangement to pull the tracks from there instead.
I don’t think I ever posted this mix on here. I made it during the birth of the twins – literally. I was halfway through making it when Sophie went into labour. I finished it a few weeks later. So I dedicated it to the girls. I’m sure it’s the kind of music that will make them cry in the short term. But maybe when they’re older, like in 2027 when they’re 18, they’ll be able to listen to this and wonder what the fuck I was doing.
I’m not really sure what all this Hauntology thing is about, but I’ve got a feeling that parts of this mix might exist on the fringes of it somewhere… It’s dubsteppy in places and D&Bish in others, with a bit of droney electronica elsewhere. For tracklists and stuff go here.
Last year I blogged about the idea of doing something a bit similar. But this lovely chap took a different (much better and more realistic) approach, and made something that really works. It’s been compared to the awesome Kutiman Thru-You stuff. But it is very different. People have sent these pieces in to be a part of something collaborative. And it puts you in control in a lovely lo-fi way.
Anyway yesterday I went up to the loft, opened the skylights, and this popped out. It’s perhaps got a bit more of a old fashioned house feeling in places than normal. But I think in general the sound works OK. And the Apparat remix at the end is stunning.
Last night I watched Wall-e for the first time. And it was good.
Then today I was pulling together a mix. I’ve included the Apparat Mix of Moby’s Pale Horses which I love dearly. I tweeted that Apparat was a genius. Then @tbuesing tweeted that I might like this video for an Apparat track. And I did like it:
I’m sure he was forced to do it, so I’m not confident that we should all be picking on him. However, what I love about this site is that I think the level of insults pretty much fit the crime.
But that’s not the reason that I really love the site. The real reason is that it’s driven by Google Docs. That’s how we should all be rolling. Use a Google Spreadsheet as a CMS – that’s how we should be rolling in 2009!
I suggested this to one of our developers a few months ago and he said that I was some kind of fucked-up freakish alien techno-idiot (I think those were his exact words) – having seen this I feel vindicated, marginally.
I went to a WW2 day in Bletchley with Sophie, my Gran, my Mum and my Auntie. It was a nice day.
I couldn’t help but notice the similarities and differences between that and other similar holiday weekends that I’ve had over the years. And those Twitter messages streaming in from the Detroit Electronic Music Festival (#demf) weren’t helping much.
The queue for the party stretched round the block:
Security was tight, but just right:
But the long arm of the law was never far away:
As usual the promoter was looking pretty pleased with himself:
This was done at the weekend when it was nice and sunny outside. Instead of trying to milk a goat, catch a leprechaun, make friends with my neighbours, learn the flute or anything else so exciting. Instead I popped open the skylights and the first fresh air of the year entered the loft…
I’m not sure exactly where this mix fits in the world. I’d like to think I could pull off a morning slot on a sunny terrace somewhere, but I think they’re becoming increasingly the kind of mixes that only elderly folk will like ;-)
Midtown 120 Intro – DJ Sprinkes
Mystery of Nazereth – Marco Bernardi
Twighlight (Layo and Bushwacka mix) – Unkle
Light Through The Veins (Ewan Pearsons Downtown Lights Mix) – Jon Hopkins
Poisson Pilote – Rone
Amish Kid (Sasse Remix) – Phonogenic
Lovelee Dae (Tanner Ross & KiloWatts Remix) – Blaze
Inner 8 (Dexters DXR Mix) – Alton Miller
Roman – Trickski
Ellelli (Kalabrese Remix) – Madioko N Rafika
Guinea Pig (DJ Kozes Vocal Variation Remix) – Ben Watt
Song for Marie and Elise (Aeroplane Remix) – Lullabies in the Dark