Tag Archives: Japan

9 Reasons Japanese Interactive Work Is Awesome

Dentsu Online

In my continued judging of the One Show Interactive awards there’s one thing that’s really starting to stand out. Japanese agencies are doing some outstanding work right now.

Every year that I’ve been fortunate enough to judge international awards there’s always a couple of great examples of Japanese work. But the majority of the work that I’m painfully jealous of this year comes from Japan. Of course there’s great US, Swedish, British and Brazilian stuff – as usual. But there’s something noticeably special and standout about some of the Japanese stuff.

And here’s why I think that is…

Disclaimer: I’m making a bunch of assumptions and cultural generalisations here, sorry for any that are crude and inaccurate.

1. The work is polite

– Japanese stuff doesn’t shove itself on the Internet going: POW. LOOK AT ME. I AM THE BEST THING EVER! Culturally it’s subtle. It’s reserved. It’s aware of status and hierarchy. But at the same time it’s not all about the big ‘i am’.I’m sure I’ve whanged on about it before. But in a networked environment where we all have the same access to pixels and characters assuming that yours are somehow better than others’ is wrong wrong wrong. Your stuff has to earn its place in peoples eye-holes. It doesn’t have a god given right to be there. It feels like a lot of the Japanese work I love gets this.

2. The work isn’t driven by TV advertising

I’m not sure why. Hopefully someone can fill me in on this. But almost none of the great work feels like it’s tied in with TV campaigns. The awesome stuff has been considered digital-out. Rather than TV-in.That’s not to say that you can’t get awesome stuff starting with TV. It’s just that when the digital stuff feels like a follow-on rather than a lead there’s a quality about it you can really feel.

3. The work draws from a culture of games, comics and technology

Rather than drawing on cues from TV advertising it feels like Japanese designers are pulling from their really advanced cultures of:

  • Gaming – which gives the work a sense of fun, progressive engagement, hookiness, atmosphere, character development (and importantly not necessarily of human characters).
  • Comics – which drives oddness, playfulness and escape from reality.
  • Technology – obviously having a culture that’s proud of and excited by technology is going to put you in an interesting place when you’re developing for the digital space. Certainly it’s going to lead to more advanced stuff than a culture of basket-weavers. I think tied in with this is their ability to code amazing sites. Sites that are driven by technological wizardry but without feeling overly geeky. Or sometimes that do feel very geeky.

4. Advanced mobile and blogging cultures

It’s hard to pin down the exact numbers and percentages (I had a go but my researching skills are weak), but Japan undoubtedly has a hugely vibrant blogging scene with some surveys suggesting that there are more Japanese language blogs than English ones. And it’s always had a particularly strong mobile Internet for lots of reasons.

Both of these things have led to a particularly strong sense of personal media space. Something which I think a lot of agencies struggle with. They’re not thinking about peoples spaces they’re thinking about their sites, or media owners sites. And the rules are quite different.

5. Distribution

Probably connected to point 4. But the notion of widgets (or blog parts as they’re called in Japan) is really strong and central to lots of the work. Many of the campaigns don’t feel like they have a big heavy base, they exist in lots of places that all connect together in a logical way. Which makes things feel progressive and smart as the world stands today.

6. Craft

There’s an attention to detail and a crispness about the digital craft that shines through in a lot of the work. I think this might be massively linked into (2) – so rather than trying to make everything look like TV ads it can look like brilliant and interesting digital stuff instead. I don’t think it’s a co-incidence that the incidence of bad green screen presenters is low…

7. Some of it is a bit strange

Often this makes it feel really fresh and it makes you work a bit harder, in a good way. The sense that there’s a little something that you don’t quite ‘get’ is something that I think has a peculiar attraction. A bit of Especially for geeks.

8. Japaneseness

this is just cheating really. But it is something that I think helps Japanese work to win awards. It’s a strange combo of being slightly culturally exotic and the fact that their character set looks slightly exotic (and to a lot of peoples’ eyes quite beautiful). But this is only a supporting factor in the whole picture – otherwise the Chinese / Korean / Malaysian work would be shining through in the same way. And this year it isn’t.

9. They’re having fun with it

Simple as that. It feels like there’s a love for the work that’s going on. Like people are enjoying doing awesome stuff. And there’s no way you can fake that.

What’s the downside?

Their stuff can take a very long time to load outside of Japan.

Here’s some links to some of my favourite campaigns (again not saying that any of this is going to win – it’s just some incredible Japanese stuff that I’ve liked along the way)…


Some Standout Work From Japan

Here’s some stuff that illustrates some of the points above. Most of these links are to awards entry pages where you’ll get a bit of an introduction to the campaigns (although some of them are very much in Engrish)…

Love Distance

LD_award_en.mov

An amazing campaign where 2 lovers from opposite ends of Japan run to each other. So many facets to it. Including a boy site and a girl site that keeps the audiences separate until the end. It almost made me cry. It’s for condoms by the way. That’s why they end up 0.02mm apart.

Gassaku for Intel

GASSAKU

It’s a really deep and multi layered campaign that involves getting people creating things. I’m not sure I quite get all of it. But there’s something very cool about chunks of it.

Axe Chocoman Hunter

AXE CHOCOMAN HUNTER

Axe Chocoman hunter. Takes the chocoman that we know from the ads and ramps it up into a massive promotion involving a character that travels from phone to phone. With a contest where the winner gets 1% of all Axe profits. It’s bonkers.

Tokyu Hands Mushi Battle

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A kind of creative beetle battle for a craft / department store called Tokyu Hands. It’s not as crazily engaging as some of the other things it just feels very very cool.

Honda EditSCREEN

Honda | 30AF30EB30DE | 30A830C730A330C330AF30B9 | Edit SCREEN

Honda Edit Screen. This culminates in a screensaver – which I know is listed as one of my old 7 Deadly Sins of Digital. But I don’t care. This site is just super-cute and shows the extreme craft skills of some of the Japanese agencies. Even though most of the site is in a language I don’t understand the interface is straightforward, slick and amazing. It’s basically a massive multi-user artwork generator.

The Last Guy

It’s a campaign a bit like the Balloon Race we did for Orange, but it’s for a Playstation Game and it’s got Zombies in it roaming over the web. It’s kind of different because a lot of the interaction with the individual sites is done using screen grabs. But even so it knows how to lay out the game-space so the right bits of the page are walls, etc.

Click the switch below to turn Crackunit into a zombie game. Go on. Go on. I dare you…

Because of the big header graphic playing it here isn’t the best experience. But the game has had 6.6m plays. Which is totally insane.

Adidas Hello! Runners Map

HELLO! RUNNERS MAP

And I think my favourite of all is this campaign for Adidas Running. They’ve got a tough challenge given the Nike+ thing that’s gone down. But they’ve pulled something amazing out of the bag. You create your running maps, so far so good. Then it uses Google Street View to show your run inside a widget which is FANTASTIC. Also what they’ve done with the whole mapping interface and Flash is a joy to behold.

So that’s some of the stuff that’s been making me excited about the scene in Japan. I hope you like some of it too.

Lovely Sandwich Photos

I was playing with Flickr Storm and I stumbled on these brilliant lunchbox shots. Taking lunch to work is apparently the thing to do now the credit crunch is biting. I hope that reduced budgets don’t lead to reduced creativity in the land of crazy lunches.

Grouchy Bf bento

Aquarium Bento, top view

Jaws bento 1

frog closeup

McDonalds’ Freakout

I’ve got no clue what’s going on… Comment is all pure guesswork. If you can clarify please do…

Is this an ad from Japan?

Is this a really mentalist remix of an ad from Japan (it really gets going about 2/3 the way in)?

This really does look like an ad (featuring Ronald’s freaky trance-soundtracked clown-spawn…)

And daughter of Ronald (also likes Jap-trance)…

2nd clip via Mike Laurie’s ‘Ships Biscuit’ blog. The rest was just a bunch of horrible accidents…

Semacode Update

Blogs are great. I’ve said it before and I’ll say it again. I asked a question about semacodes on websites. Went to bed. Then I woke up and someone’s left me a great answer. It’s like a big huge collective brain that goes on thinking throughout the night ;-)

Anyway, thanks Roger for some great thoughts. In fact if this is a topic that interests you, you should head over to his blog ‘All About Mobile Life‘ – which incidentally is QR code enabled ;-)

He makes a great point about QR Codes being used like RSS feeds. You can just snap a picture of the code on a site and boom, you’ve got a subscription to the site on your phone. Or a ‘takaway’ version of the site. Or simply a bookmark. So yes, I can see the point of codes on websites now.

I guess I’m just a bit behind in my cross-device behaviour at the moment.

And James from Collaborate Marketing has chimed in with:

The codes are also used for promotional offers – like coupons. So maybe Nike are saying – take this along to a store or some other Nike event. Also, in Japan the phones have special readers to take the information from screens, posters or instore, which we don’t have yet. I understand Nokia are testing them on the N-series.

Also a very valid use for these codes.

I guess in both examples it’s about transportability. In the ‘olden days’ people would have printed stuff out, now your mobile is easier to carry about than piles of paper (for some of us).

Website with Semacode, Why?

Semacodes are pretty cool.

The all knowing Wikipedia with it’s dazzling array of cross-links describes a semacode thusly:

a URL can be converted into a type of barcode resembling a crossword puzzle, which is called a “tag”. Tags can be quickly captured with a mobile phone‘s camera and decoded to obtain a Web site address. This address can then be accessed via the phone’s web browser

In essence you take a photo of a thing (see top right) and your phone does something interesting.

In Japan (rumour has it) they’re very common. But they call them QR Codes. And they’ve started doing things like putting them on their business cards so that you can just photograph it and then get the contact information into your address book. Kinda Cool.

But…

Where all of these sorts of innovation fall down is using them just for the sake of it. You’ve got to ask yourself that question, “wouldn’t it just be simpler to…?”. For example just taking a disposable photo of an address instead of bluetoothing it to my phone – see my previous post on Photonotes.

So I was puzzled to see this Nike site with a QR code on it:

I’ve sat and thought about it. In fact I’m still thinking about it….I’m sure I’m missing out on something because I don’t read Japanese. But in the best case it’s going to add something to my phone (a graphic, an application, a screensaver, a bit of video?) or, and I really hope this isn’t the case, it takes my phone to a web page. But either way surely getting someone to use their phone to do something when they’re already engaged on a website seems a bit odd.
Or even more bizarrely… If someone was accessing this website on their phone (as many people in Japan do). How are they supposed to take a photo of this QR code?!?!

Please can someone Japanese put me out of my ignorant misery, please. I’d love to know why this is there.

iPod Nanos on Tokyo Metro

ipod nanos in tokyoFrom Cult Of Mac Blog – iPod Nanos on Tokyo Metro – This is a great (if a little expensive) promotion. Having said that, this is one of those ads that creates so much residual ‘buzz’ around it that the initial investment is totally worth it. I’ve just finished the excellent book Buzzmarketing: Getting People to Talk About Your Stuff. Hence I’m temporarily obsessed with ‘buzz’. I’ll write a review of the book soon. In the meantime, have a look at the Buzzmarketing.com site.

I’m especially loving the use of photo message QR codes on the back of the dummy Nanos (in case you don’t know these are like barcodes that you photograph with your mobile – all the rage in Japan apparantly).