If you’ve not seen Twitterfall it’s quite nice. It streams in Twitter messages with certain keywords in real time. It makes twitter feel like a bit joined up community (which it isn’t really). What really freaked me out was watching it during the Gmail outage so I grabbed some video of what it looked like:
It’s strangely compelling to watch. In spite of the complete drivel that’s being poured onto the internet.
In the 9 minutes or so that I was capturing this the number of messages in the queue went from zero to 1,800. That’s more than 3 people a second assuming that Twitterfall capture everything. All whining about the same stuff.
I think it’s the first time I’ve really ‘felt’ the scale of Twitter. It was a bit overwhelming really. I dread to think what it’d be like to feel the pressure on the Googleplex.
Thanks to Jonathan for pointing out the Twitterfall.
This track just totally floored me. It’s a remix of In for the Kill by La Roux which has been done over by dubstep star Skream.
It’s just huge. When it kicks in just after the 4 minute mark it’d be better with a donk on it, obviously ;-) but apart from that it’s a masterful remix. It takes a nice, but unremarkable, original and turns it into something epic.
I would have embedded the original, but Universal have diasabled embedding so I can’t. If you want to make the effort you can go to YouTube and hear the original.
I was convinced that it was a spoof. As if there’d be a genre called Donk. Everything is wrong about the video. The knowing subtitles over subtle Northern Accents. The presenter’s slight grin when he’s chatting to folk. The funnily named shops. Everything. There’s no way I’m falling for a prank like that. It reminds me heavily of the episode of Brass Eye where they whang on about Cake (the made up drug). And all the characters and the interviews look like they could be setups or clever edits.
So the I popped out and went round to Curtis’ house and showed it to him. And he (and his son Max) both went “oh yeah, Put a Donk on it”. So much for the fake thing then. And once again I’m behind the curve.
Here are the real Blackout Crew with their real hit Put A Donk On It. With a real 4 million views on YouTube. Holy crap!
So at this point it becomes clear that Donk is no joke. And the donkumentary (sorry) is also no joke. So I watch part 2, and part 3 and part 4 and part 5. Back to back. Mouth agape. Unable to pick my jaw up off the trackpad. It’s fucking incredible. So many amazing moments. So many brilliant lines. So many stunning characters. The films do have a touch of that Vice maggy sneeriness (to be honest, you’d really struggle not to given some of the situations). Having said that it’s a bloody amazing bit of documentary footage and well worth the 20 minutes or so it’d take to watch the whole lot.
It’s an amazing tour of an incredible, almost unbelievable scene that’s rooted in a chunk of the North of England. Although there’s undoubtedly Donk mutations elsewhere. To be honest it’s pretty close to a lot of the hard-dance scene in a lot of ways – fashion, sound, people, drugs. Trakky-wearing gurners with glo-sticks have always existed at ‘that’ end of dance music. But you can’t ignore Donk – it’s just got such an awesome name.
Interesting dress code mutations too…
There’s a full article about it in Vice Land. Which, if you can’t be bothered to watch the videos (shame on you) is a decent summary of what goes on in the video series. But nothing can quite deliver the faces of Donk quite like seeing them moving and gurning – with blue WKD stained tongues :-p
What smacked me between the eyes is really how naive I am to things that go on outside London and Brighton. Sure I’ve been to ‘hard dance’ things and danced amongst the day-glo-mong-puppets in my time. And tried in vain to keep up with music that’s twice as fast as my heart. But it’s always been a passing toe-in-the-water at a festival or something like that. I’ve never been and lived the Donk.
I sit in endless meetings where people pretend to understand ‘the young people’. But they only really view it through a really tiny window. A window where the view extends just outside the central line. So the best you’ll get is someone who’s really bloody ‘on it’ because they went to a Dubstep night, once, for 10 minutes, until they felt a bit sick. Or someone will drop Dizzee Rascal, yet again, into a presentation, because it’s a shorthand for urban and street (but not too urban and street).
One day I want to see Donk in a segmentation. Please let it happen. Please. Fuck it. I might even take my next Keynote presentation and ‘Put Some Donk on it’.
Want to hear a bit more Donk?
Here’s what happens when you Put Some Donk on the Ting Tings.
And don’t worry all you London-based marketing agencies – Dizzee’s been Donked too. Imagine that – it’s a north-south Donk mash-up. Stick that in your presso and feel the client Kudos.
This is where my Donk journey ended for today. If you want to carry on there’s plenty of Donk out there, just get searching.
After a week in the northwest immersed in donk culture, it was impossible to deny that it’s the bottom-feeder of the already bottomed-out dance-music food chain. It’s parochial, drug-centred, racist, sexist and violent, and that’s what makes it so, well, special. For all its flaws, donk perfectly mirrors the generation of kids and the society that created it: totally and hopelessly fucked, in every sense of the word.
But there’s something else in there too. Sure it’s built around escapism and getting fucked out of your mind on pills and cheap booze. And it’s pretty much the soundtrack to getting the living pulp kicked out of you. But at least they’re making something that’s theirs. Doing something together. Sharing in a scene that they own. Something they love.
Oh crap. I can feel it coming on. A silent-flash-Donk-rave at Doncaster Station. Life is for sharing after all.